Regular readers will know how often the backs of leaves and cuttings provide vital information. There may be a significant attribution (e.g. "From the Cathedral at Como"); a direct indication of a former owner (e.g. notes initialled "TMW" by Thomas Miller Whitehead); an auction lot number that allows it to be identified in a sale catalogue; text and/or music that allows the ambiguous subject-matter of an initial to be identified; or traces of a characteristic type of adhesive mounting-tape, that reveals it to have been sold by Otto Ege.
This week, I started to write a note about some interesting ideas presented by Christopher de Hamel in the Introduction to the recently published catalogue of the Burke Collection [1], but I quickly became side-tracked by his discussion of a cutting from Santa Maria degli Angeli, shown above.











