The Goodspeed Bible (I)

My fourth-ever blog post, back in December 2010, concerned a dismembered 14th-century Italian illuminated manuscript, which I named "The Goodspeed Bible" because it was apparently broken-up by Goodspeed's, the Boston bookshop, around 1935.

An Addendum to the de Silva Library

[image courtesy of Sokol Books]

I recently received a copy of a catalogue of incunabula offered by Sokol Books (link to full PDF), in which no. 33 is described as having the bookplate of Hercules de Silva (not reproduced in the catalogue).

"Ex Musæo Huthii"

My previous two posts concern the provenance of an Apocalypse manuscript owned by Henry Huth. As with most books from the Huth library, it has an oval gilt leather bookplate like the one above, with the legend "EX MVSÆO | HVTHII".

The Tongerlo Apocalypse in the 16th and 17th Centuries

[This post continues from the previous one]

Tongerlo Abbey -- note the arms in the top left corner.
[As always, click images to enlarge]

Hanna Vorholt spent time at Tongerlo in 2004 in connection with her thesis work on their manuscript of Lambert of Saint-Omer's Liber Floridus (recently published), and following her visit she kindly gave me copies of her digital images of the handwritten catalogues of 1625, 1640, and 1707.

The 1625 catalogue has a decorative title-page:

Tongerlo Abdijarchief, MS 323

and because the contents are arranged alphabetically by author within each section, it is not hard to find the Apocalypse:

pp. 106-107

p. 107, detail

"Ioannis Euangelistæ. Apocalypsis
cum imaginibus depictis in perga-
meno".

The "1640" catalogue (I am not sure if this is the original or a copy) similarly presents no problems:

Tongerlo Abdijarchief, MS 324, p. 94

detail

"Apocalypsis Joannis Evangelistæ in pergameno cum imaginibus"

This 1640 catalogue is the one published in 1644 by Sanderus, in his Bibliotheca Belgica manuscripta:

p.155 (detail) [source]

I could not locate the Apocalypse in Hanna's images of the 1707 catalogue, so I contacted Kees van Heijst at the Tongerlo Archive, who in turn referred my enquiry to Pierre Delsaerdt at the University of Antwerp. Each of them were very helpful but could not find the manuscript in the 1707 catalogue, either -- but this may simply be because it is incomplete.

The library of Tongerlo was dispersed in the 1820s, mainly in an auction at Antwerp in 1825, and I hoped that the Apocalypse would be easy to identify in the sale catalogue. I do not have access to a copy of this rare publication, so again I have Kees van Heijst and Pierre Delsaerdt to thank for checking it, but again they were unable to find the Apocalypse listed. As one of the library's most valuable manuscripts it was presumably sold separately.

~~~

I was going to post this blog last weekend, but I decided to wait a bit longer, because there was one more Tongerlo library catalogue to check, dating from the 16th century, now at the Royal Library, Brussels (MS 8242-43), and Dominique Vanwijnsberghe had very kindly agreed to look at it for me on Tuesday.

I did not have very high expectations, but on Tuesday evening he sent me his images, which include a list of books drawn up on 18 June 1543:

Brussels, Bibliothèque royale de Belgique, MS 8242-43

"Frater Jacobus Gerardi Antuerpianus Religiosus in
monasterio Tongerlensi hunc catalogum collegit in
gratiam omnium Studiosorum anno salutis
1543 + 18 Junij"

... in which is this entry:

"Ioannis Apostoli Apocalypsis scripta in membranis
cum figuris et Iconibus"

So, thanks to Dominique and Hanna, we have successfully traced the provenance of the manuscript at Tongerlo Abbey back to the first half of the 16th century, and can prove that it was still there a century later. Even though it does not seem to be included in the surviving part of the 1707 catalogue, the Apocalypse was surely still there in the 18th century, when it was rebound with the Abbey's arms on the spine (see previous post), and was probably there until the late 18th or early 19th century, when most of the library was dispersed.

As for the later 19th-century provenance of the volume, I have now checked the British Library's copies of Joseph Lilly catalogues for 1860-62, and not been able to identify it. But this is not surprising: when Lilly acquired the book he doubtless offered it directly to his best customer, Henry Huth, rather than advertising it for sale in a catalogue.


EDIT, 18 June 2018
Anne Korteweg reminds me that the Abbey's properties were seized by the French in 1796, and so it is quite possible that the Apocalypse left Tongerlo well before the auction in 1825.

A Previously Unrecognised Tongerlo Provenance

[Source]

The image above comes from a manuscript Apocalypse, fully digitised on the British Library website, and soon to be published as a hardcopy facsimile. I have recently been asked to contribute to the facsimile commentary a short section about the book's provenance.

An Effaced Ink Stamp Deciphered

Two years ago I wrote about a prayerbook that had belonged to Henry Yates Thompson. I mentioned that it had an inscription apparently in Portuguese, but I did not reproduce it, except as transcribed by M.R. James:

I also did not mention, because I was unable to read it, that the inscription is adjacent to a thoroughly-effaced ink-stamp. But with some more time and effort I think I have been able to read both, and thus see how they relate to one another.

Pietro Ursuleo - An Attribution Confirmed

[Source]

A few years ago I suggested in a blog post that the script of a Psalter at the Walters Art Museum could be attributed to the scribe Pietro Ursuleo.